Images by Jack Dykinga

There’s a time when the subject mat­ter of your photograph shifts from what you originally planned. An example of this is when the negative space, or the background space, or a vacant shadow area forms an interesting design element in itself. I can re­call photographing hoodoo rock formations in the Grand Staircase-Escalante National Monument in southern Utah. I was carefully crafting an image that featured two giant boulders, with a narrow sliver of daylight in between. As I was photographing the boulders, I soon recognized that my subject was no longer the rock formations, but had become the sky in the triangular space between the massive black shapes. I wanted to further emphasize the trian­gular section of sky and the solution came with patience and a passing cloud. Thanks to the unexpected appearance of the cloud, the eye would now lock on to my selected area of interest.

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Predictability is the enemy of great photography. Being open to the surprises and visual gifts along the way can redirect our vision to the unexpected magic. One of the things I emphasize to students is to squint while looking at images. This reduces photographs to shades of dark and light. An image viewed thusly is reduced to de­sign elements and no longer represents a particular subject … it’s just a design. It’s a good way to test a composition. Dark shadows are powerful design elements that create shapes and subjects in tandem with the documentary as­pects of an image. An image that carefully utilizes the strength of negative space has extra power. Converting an image to black-and-white can empha­size shadow shapes even further. The contrast can be increased without the associated color shifts that affect color images.

In this image of Death Valley’s Mesquite Flats Sand Dunes, I increased the contrast in the patterns to strengthen the triangular shadows bordering the wind-sculpted dunes. As a result, the Y-shaped shadow line turns into a key design element. When I squint at this image, it becomes purely a design of blacks, whites, and greys. Exactly what I was after.

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This article was taken from Capture the Magic by Jack Dykinga. Enjoy the full bookhere.